Lucas e a Orquestra dos Prazeres: canto de vivência, performance e resistência

Authors

  • Rafael Alexandre Gomes dos Prazeres UNIVERSIDADE FEDERAL DO SUL DA BAHIA (UFSB) UNIVERSIDADE FEDERAL DE MINAS GERAIS (UFMG)
  • Lílian Lima Gonçalves dos Prazeres UNIVERSIDADE DO ESTADO DA BAHIA (UNEB) UNIVERSIDADE FEDERAL DO SUL DA BAHIA (UFSB)

DOI:

https://doi.org/10.6092/issn.2036-0967/13109

Keywords:

Resistance, Performance, Escrevivência, Singing, Orchestra

Abstract

The focus of this text is the collective and ancestral information of the Orquestra dos Prazeres, guided by the Brazilian multi-artist Lucas dos Prazeres. Its objective is to present how song of experience, performance and resistance are intertwined in the DVD Repercutir (2017), specifically through the tracks “Saudação a Xangô” and “Aluandê”. We performed a critical analysis through their description and a literature review based on authors such as Evaristo (2016), Rego (1968), Finnegan (2008), Taylor (2013). As a result, this journey reveals the importance of the collective impulse of the black communities represented in the artistic show considered.

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Published

2021-06-15

How to Cite

dos Prazeres , R. A. G. ., & dos Prazeres, L. L. G. . (2021). Lucas e a Orquestra dos Prazeres: canto de vivência, performance e resistência. Confluenze. Rivista Di Studi Iberoamericani, 13(1), 358–384. https://doi.org/10.6092/issn.2036-0967/13109

Issue

Vol. 13 No. 1 (2021): A divided Brazil. The effects of Bolsonaro's election and government

Section

ESSAYS

License

Copyright (c) 2021 Rafael Alexandre Gomes dos Prazeres , Lílian Lima Gonçalves dos Prazeres

Creative Commons License

This work is licensed under a Creative Commons Attribution 3.0 Unported License.