Mexican B(order) movies en Tijuana: ironía como crítica a la hegemonía en las fotos de Fabio Cuttica

Authors

  • Federico Mastrogiovanni Universidad Iberoamericana

DOI:

https://doi.org/10.6092/issn.2036-0967/11331

Keywords:

Narcoculture, Photojournalism, Narcomovies, B-movies, Irony

Abstract

The intention of this work is to analyze the photographic reportage “Mexican (B)order movies” by Fabio Cuttica as a product of the imaginary about violence in Mexico. By means of a theoretical approach focusing on the use of the device of irony, we aim to understand the various strategies with which a journalistic photo is able to build, deconstruct or criticize the imaginary about violence as well as the hegemonic discourses on narcoculture.

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Published

2020-07-24

How to Cite

Mastrogiovanni, F. (2020). Mexican B(order) movies en Tijuana: ironía como crítica a la hegemonía en las fotos de Fabio Cuttica. Confluenze. Rivista Di Studi Iberoamericani, 12(1), 56–87. https://doi.org/10.6092/issn.2036-0967/11331

Issue

Vol. 12 No. 1 (2020): NARCOCULTURAS. La construcción de un imaginario entre discurso hegemónico y nuevas narrativas de la violencia

Section

DOSSIER

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Copyright (c) 2020 Federico Mastrogiovanni

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