L’arte in letteratura: Almudena Grandes e “el territorio de la emoción”
DOI:
https://doi.org/10.6092/issn.2036-0967/7784Keywords:
Art, emotions, woman, contemporary literature, GrandesAbstract
In many contemporary novels, there are references to the art, in every conjugation. The writer, when using words, tries to create a mirror effect between his or her writing and the instruments used as means of art. In many female writers’ works, art attains a main role, and very often is closely linked to sensibility, the territory where emotions take place. In some works, Almudena Grandes presents characters who have an intimate relationship with art, which reveals itself as a vivifying power, as we can see in Te llamaré Viernes (1991) and Castillos de cartón (2004), and in the short story “Mozart, y Brahms, y Corelli” (2005). In particular, female characters embody sensibility generating from art.Downloads
Published
2017-12-29
How to Cite
Notaro, G. (2017). L’arte in letteratura: Almudena Grandes e “el territorio de la emoción”. Confluenze. Rivista Di Studi Iberoamericani, 9(2), 200–210. https://doi.org/10.6092/issn.2036-0967/7784
Issue
Section
DOSSIER
License
Copyright (c) 2017 Giuseppina Notaro
The copyrights and publishing rights of all the texts on this journal belong to the respective authors without restrictions.
This journal is licensed under a Creative Commons Attribution 4.0 International License (full legal code).
See also our Open Access Policy.
Metadata
All the metadata of the published material is released in the public domain and may be used by anyone free of charge. This includes references.
Metadata — including references — may be re-used in any medium without prior permission for both not-for-profit and for-profit purposes. We kindly ask users to provide a link to the original metadata record.