Los ojos de Amanda Berenguer y de Marosa di Giorgio para una exégesis de “El Jardín de las delicias” de El Bosco
DOI:
https://doi.org/10.6092/issn.2036-0967/5400Keywords:
Amanda Berenguer, Marosa di Giorgio, Hieronymus Bosch (El Bosco), “El Jardín de las delicias”, exégesis literaria y artística, literatura uruguayaAbstract
If in Hieronymus Bosch’s (1453-‐‑1516) hybrids and metamorphosis Marosa di Giorgio (1932-‐‑2004) absorbs the most symbolic and disturbing aspects of his “maravilloso negro”, in the same flamish painter Amanda Berenguer (1921-‐‑2010) finds the inspiration for a subversive discourse. Writings and images enlighten and strengthen each other while the two extraordinary texts of uruguayan literature (Papeles salvajes and Los culos de El Bosco) intertwine and converse with triptych of The Garden of Earthly Delights, thus participating in its own complex exegesis.Downloads
Published
2015-07-20
How to Cite
Cancellier, A. (2015). Los ojos de Amanda Berenguer y de Marosa di Giorgio para una exégesis de “El Jardín de las delicias” de El Bosco. Confluenze. Rivista Di Studi Iberoamericani, 7(1), 247–259. https://doi.org/10.6092/issn.2036-0967/5400
Issue
Section
DOSSIER
License
Copyright (c) 2015 Antonella Cancellier
The copyrights and publishing rights of all the texts on this journal belong to the respective authors without restrictions.
This journal is licensed under a Creative Commons Attribution 4.0 International License (full legal code).
See also our Open Access Policy.
Metadata
All the metadata of the published material is released in the public domain and may be used by anyone free of charge. This includes references.
Metadata — including references — may be re-used in any medium without prior permission for both not-for-profit and for-profit purposes. We kindly ask users to provide a link to the original metadata record.