La imagen es la esencia: dialéctica de lo visual y cultura precolombina en Sor Juana Inés de la Cruz
DOI:
https://doi.org/10.6092/issn.2036-0967/5389Keywords:
Sor Juana Inés de la Cruz, image, portrait, loas sacramentales, virtualityAbstract
One of most important features of Neobarrocco is its cultural relation with images. This article, basing itself on Michel Foucault’s analysis of Las Meninas and on the Bolívar Echeverría’s Ethos barroco , aims to analyze the relation between image, the object of the portrait and observer in the poetry of Sor Juana Inés de la Cruz. Our objective is to understand as text puts that relation into poetry without reducing itself to a simple caption.Downloads
Published
2015-07-20
How to Cite
Pezzé, A. (2015). La imagen es la esencia: dialéctica de lo visual y cultura precolombina en Sor Juana Inés de la Cruz. Confluenze. Rivista Di Studi Iberoamericani, 7(1), 35–50. https://doi.org/10.6092/issn.2036-0967/5389
Issue
Section
DOSSIER
License
Copyright (c) 2015 Andrea Pezzé
The copyrights and publishing rights of all the texts on this journal belong to the respective authors without restrictions.
This journal is licensed under a Creative Commons Attribution 4.0 International License (full legal code).
See also our Open Access Policy.
Metadata
All the metadata of the published material is released in the public domain and may be used by anyone free of charge. This includes references.
Metadata — including references — may be re-used in any medium without prior permission for both not-for-profit and for-profit purposes. We kindly ask users to provide a link to the original metadata record.