Pos(t)pornografía o Porno Queer en el cine de Albertina Carri. El cuerpo político y militante

Authors

  • Francisco A. Zurian Universidad Complutense de Madrid
  • Karina Perdomo Rodríguez Universidad Complutense de Madrid
  • Francisco-José García-Ramos Universidad Complutense de Madrid

DOI:

https://doi.org/10.6092/issn.2036-0967/15979

Keywords:

body, political body, postpornography, queer porn, Albertina Carri

Abstract

This article addresses the analysis of the evolution occurring in Latin American feminist cinema with the short films Barbie también puede eStar triste (2002), Pets (2012) and the feature film -defined as lesbo-feminist porn- Las hijas del fuego (2018) by Argentine director Albertina Carri. This process traversed by Carri attempts to overcome what was sustained by feminist film theorist Laura Mulvey (1975) regarding the scopophilic gaze of men and the traditional sexual conception of women in conventional cinema and, specifically, in pornographic cinema.

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Published

2022-12-21

How to Cite

Zurian, F. A., Perdomo Rodríguez, K., & García-Ramos, F.-J. (2022). Pos(t)pornografía o Porno Queer en el cine de Albertina Carri. El cuerpo político y militante. Confluenze. Rivista Di Studi Iberoamericani, 14(2), 330–350. https://doi.org/10.6092/issn.2036-0967/15979

Issue

Vol. 14 No. 2 (2022): Escapes of/from the queer in Ibero-America: aesthetics, narratives, political imagination of sex-gender dissidence

Section

DOSSIER

License

Copyright (c) 2022 Francisco A. Zurian, Karina Perdomo Rodríguez, Francisco-José García-Ramos

Creative Commons License

This work is licensed under a Creative Commons Attribution 3.0 Unported License.