Hegemonización y transgresión en la representación del mito de la Malinche. De “madre traidora” a símbolo subversivo

Abstract

The myth of Malinche, historically associated in Mexico with the imaginary of the "traitor indigenous woman" has established itself as a powerful symbolism in the discourses of the visual, performing and literary arts, some of which will be reviewed in this article through a critical analysis that intersects contextual elements, with historical events and current scopic conditions; to think about the hegemonic discursive potential of said myth; as well as its dismantling, and the factors that allow it to unfold and configure antagonistic and subversive messages.