Arte y resistencia cultural. A propósito de la Escena de Avanzada y la dictadura militar del General Pinochet

Authors

  • Juan Pablo Silva-Escobar CENTRO DE INVESTIGACIONES EN ARTES Y HUMANIDADES (CIAH), UNIVERSIDAD MAYOR, CHILE – UNIVERSIDAD BERNARDO O’HIGGINS
  • Valentina Raurich INVESTIGADORA INDEPENDIENTE

DOI:

https://doi.org/10.6092/issn.2036-0967/11397

Keywords:

Chile, military dictatorship, Neovanguardist art, cultural critique

Abstract

The essay examines the complex relationship between the Chilean military dictatorship and the symbolic production about it. Specifically, we will analyze the neovanguardist art of Escena de Avanzada, whose artistic practices provide interesting visual and discursive materials. Those materials help to understand how experimental art was trying to reconfigure the Chilean artistic field and produce a critical discourse against the shuddering landscape imposed by the dictatorship. All this led to a counter-hegemonic look at the readability of history in a context of horror and destruction of the human condition.

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Published

2020-07-24

How to Cite

Silva-Escobar, J. P., & Raurich, V. (2020). Arte y resistencia cultural. A propósito de la Escena de Avanzada y la dictadura militar del General Pinochet. Confluenze. Rivista Di Studi Iberoamericani, 12(1), 472–494. https://doi.org/10.6092/issn.2036-0967/11397

Issue

Vol. 12 No. 1 (2020): NARCOCULTURAS. La construcción de un imaginario entre discurso hegemónico y nuevas narrativas de la violencia

Section

ESSAYS

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Copyright (c) 2020 Juan Pablo Silva-Escobar, Valentina Raurich

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