Writing about Crime in Absentia: The Case of Sara Uribe’s Antígona González
DOI:
https://doi.org/10.6092/issn.2036-0967/11337Keywords:
Mexico, Narcotraffic, Antígona González, Narconarratives, DisappearedAbstract
This article analyzes the role of absence in Sara Uribe’s Antígona Gonzalez through the work’s construction of characters, portrayal of violence, and conceptualization of justice. By considering Antígona González as a “narconarrative”, this study illustrates how the work is innovative vis-à-vis most texts that stem from geographies and communities plagued by narcotraffic. Ultimately, this analysis examines how Antígona González engages in a dialogue with “narcoculture” and its glamorization by casting light on the often-ignored themes of absence and disappearance.Downloads
Published
2020-07-24
How to Cite
Cantarello, M. (2020). Writing about Crime in Absentia: The Case of Sara Uribe’s Antígona González. Confluenze. Rivista Di Studi Iberoamericani, 12(1), 161–182. https://doi.org/10.6092/issn.2036-0967/11337
Issue
Section
DOSSIER
License
Copyright (c) 2020 Matteo Cantarello
The copyrights and publishing rights of all the texts on this journal belong to the respective authors without restrictions.
This journal is licensed under a Creative Commons Attribution 4.0 International License (full legal code).
See also our Open Access Policy.
Metadata
All the metadata of the published material is released in the public domain and may be used by anyone free of charge. This includes references.
Metadata — including references — may be re-used in any medium without prior permission for both not-for-profit and for-profit purposes. We kindly ask users to provide a link to the original metadata record.