Vidas que no son las nuestras. Obra y crítica en tránsito entre culturas en Las brutas de Rafael Díaz y Las niñas Quispe de Sebastián Sepúlveda

Authors

  • Martina Bortignon

DOI:

https://doi.org/10.6092/issn.2036-0967/10279

Keywords:

Las brutas, indigenous cultures, nature, sound, alternative epistemologies

Abstract

This paper will discuss a movie and a multimedia work based on the play Las brutas by Juan Radrigán, about the last days of three Colla shepherds, who lived isolated in the northern Chilean Andes. Western and urban projections about the relation between human being and environment and the meaning of life that are on display in the works will be explored. Through the interplay among Colla ethnological sources, Andean thought and phenomenology, the paper aims at problematizing the very premises of critical approach.

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Published

2019-12-30

How to Cite

Bortignon, M. (2019). Vidas que no son las nuestras. Obra y crítica en tránsito entre culturas en Las brutas de Rafael Díaz y Las niñas Quispe de Sebastián Sepúlveda. Confluenze. Rivista Di Studi Iberoamericani, 11(2), 317–338. https://doi.org/10.6092/issn.2036-0967/10279

Issue

Vol. 11 No. 2 (2019): Indigenous and Afrodescendant Spaces in Latin American Cities, Federica Morelli and Sofia Venturoli editors

Section

ESSAYS

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Copyright (c) 2019 Martina Bortignon

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