Del despertar de la criada a la criada despierta. Reflexión en torno a la écfrasis y el valor de la imagen en un relato de Daniel Briguet

Lucía Campanella

Abstract


This paper analyses the ekphrasis – in its double meaning of “vivid description” and “description of a work of art” – in “El despertar de la criada”, a Daniel Briguet's short story (Rosario, Homo Sapiens, 2010). Through close reading of both the story and the painting (Le lever de la bonne, Eduardo Sívori, 1887) we will study the change and the permanence in the representation of domesticity and its protagonists in the XIXth - XXIth centuries.

Keywords


Domesticidad; intermedialidad; écfrasis; Siglo XIX

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DOI: 10.6092/issn.2036-0967/5397

Copyright (c) 2015 Lucía Campanella

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