Da figuração à fulguração do detalhe: apropriações da imagem na crítica de gonzaga-duque a modesto brocos y gomez (1852-1936)

Heloisa Selma Fernandes Capel


The present article discusses the importance of detail in the figuration of the Spaniard painter rooted in nineteenth-century Brazil, Modesto Brocos y Gomes (1852-1936). Inspired by the discussions of the art historian Georges Didi- Huberman and based on the critical reception of the painting Engenho de Mandioca (1982), considers opening images as a possibility of understanding European thoughts about Brazilian Afro-American population in the transition to the Republic.


Modesto Brocos; Recepção; Figuração; Detalhe; Imagem

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DOI: 10.6092/issn.2036-0967/5410

Copyright (c) 2015 Heloisa Selma Fernandes Capel

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