TY - JOUR AU - Di Matteo, Angela PY - 2019/01/01 Y2 - 2024/03/28 TI - Teatro mapuche en Argentina: la memoria onírica del genocidio en Pewma de Miriam Álvarez JF - Confluenze. Rivista di Studi Iberoamericani JA - CONFLUENZE VL - 11 IS - 2 SE - SAGGI DO - 10.6092/issn.2036-0967/10280 UR - https://confluenze.unibo.it/article/view/10280 SP - 339-354 AB - As a Director of the Mapuche Theatre Group called “El Katango”, which was born in the context of the Self-affirmation Campaign known as “Wefkvletuyiñ-We are rising”, the playwright Miriam Álvarez has been creating a space of active visibility for the representation of Mapuche’s silenced history. The play Pewma – Dream (2007) reactivates the memory of the genocide by means of a diachronic perspective. In the oneiric boundaries of the incorporeal being, the dream, both in its aesthetic shape as well as in its semantic function, becomes a powerful instrument which is able to put on stage the State’s violence. ER -